New Media Museums Proceedings, 2022

New Media Museums //Proceedings// : Collecting and Preserving Media Arts

Table of Contents

  • c3_homepage_1990s_mark_fridvalszki_web.jpg

    Foreword
    Barbora Kundračíková

    Introduction
    Dušan Barok

    Reader

    New Conservation-Restoration of Media
    Nové konzervování-restaurování médií
    Zuzana Bauerová

    Special Requirements – Four Cases from the Collections of the Olomouc Museum of Art
    Jakub Frank

    New Media Documentation in the Slovak National Gallery
    Mária Bohumelová, Michal Čudrnák, Lucia Gregorová Stach

    Versions, Fragments or Inaccessible Works? Conservation Approaches to Media Art Installations and Net Art Works in the Collection of the C³ Centre for Culture & Communication Foundation
    Anna Tüdős, Márta Czene, Márk Fridvalszki

    On the Silver Globe: From a Vintage Print Photography to a Complex Media Installation. Re-contextualization as Preservation Strategy
    Agnieszka Kubicka-Dzieduszycka, Dagmara Domagała, Cezary Wicher

    Dead Artworks as Narrators: (Re)use of Broken Artworks in the Media Art Narrative at the Exhibition //Reincarnation of Media Art// in WRO Art Center in Wrocław (2019)
    Sonia Milewska

    Preparing a Historical Exhibition of Screensavers
    Marie Meixner

    Long-Term Digital Preservation in the Curation Life Cycle of Media Art
    Dlouhodobé digitální uchovávání v kurátorském životním cyklu mediálního umění
    Michal Klodner

    Colloquium

    Networks of Care
    Anna Schäffler

    Case studies

    You Can't Buy a Butterfly. New Methods for Registering Acquisitions of Intermedia Artworks at the Slovak National Gallery
    Lucia Gregorová Stach, Mária Bohumelová

    Versions or Fragmented Works? Reconstruction Issues of Media Art Installations and Net Art Works
    Anna Tüdős, Márta Czene

    On the Silver Globe: From a Vintage Print Photography to a Complex Media Installation. Re-contextualisation as Preservation Strategy
    Agnieszka Kubicka-Dzieduszycka, Dagmara Domagała

    What's lying on the shelf? – What should have been done before the acquisition and what is to be done now?
    Jakub Frank, Petr Válek

    Museum Practices in Collecting Intermedia and Media Art

    Shaping Institutional Strategies for Collecting Media Art at M+ Hong Kong
    Aga Wielocha

    Media and Digital Art Acquisition Workflow at ZKM Karlsruhe
    Morgane Stricot

    Addressing Sustainability Issues in Time-based Media Art Collection and Preservation Strategies at the National Museum of Art, Architecture and Design, Oslo
    Jina Chang

    Collecting and Presenting Video Installations from the 1990s: a Visionary Move in the 90s, Essential Today. The First Museum of Intermedia and the Collection of Intermedia Art in The Museum of Art Žilina
    Miroslava Sikorová

    Nm 1-001 - Nm 458: The Youngest Collection at National Gallery Prague
    Eva Skopalová

    Archiving Video Art and Moving Image

    NFA Video Archive: Collection Access and Sustainability Through Collaboration
    Markéta Jonášová, Michal Klodner, Matĕj Strnad

    The Activities and History of the n.b.k. Video-Forum since 1971
    Anna Lena Seiser

    Videokunstarkivet: the Norwegian Video Art Archive, the First Ten Years
    Håvard Oppøyen

    Exhibiting Practices of Archival Film Materials in Non-cinema Environments
    Elżbieta Wysocka

    Reading the PAF
    Martin Mazanec, Nela Klajbanová

    Vasulka Digital Archive
    Kateřina Drajsajtlová

    Discussion

    Roundtable
    Dušan Barok (moderation), Jina Chang, Jakub Frank, Jitka Hlaváčková, Martin Mazanec, Sylva Poláková, Anna Lena Seiser, Eva Skopalová, Matĕj Strnad, Anna Tüdős, Aga Wielocha, Elżbieta Wysocka

    Workshop

    Video documentary


    Contributors

    Search

    Colophon