Trace:
Differences
This shows you the differences between two versions of the page.
Both sides previous revisionPrevious revisionNext revision | Previous revision | ||
proceedings [25.09.2022 22:37] – dusan | proceedings [03.12.2022 23:42] (current) – admin | ||
---|---|---|---|
Line 1: | Line 1: | ||
- | {{c3_homepage_1990s_mark_fridvalszki_web.jpg? | ||
- | |||
== New Media Museums // | == New Media Museums // | ||
{{TOC}} | {{TOC}} | ||
+ | |||
+ | {{c3_homepage_1990s_mark_fridvalszki_web.jpg? | ||
[[Foreword]] \\ | [[Foreword]] \\ | ||
Line 17: | Line 17: | ||
Zuzana Bauerová | Zuzana Bauerová | ||
- | [[c3-2|Versions, | + | [[frank|Special Requirements – Four Cases from the Collections of the Olomouc Museum of Art]] \\ |
+ | Jakub Frank | ||
+ | |||
+ | [[sng-2|New Media Documentation in the Slovak National Gallery]] \\ | ||
+ | Mária Bohumelová, | ||
+ | |||
+ | [[c3-2|Versions, | ||
Anna Tüdős, Márta Czene, Márk Fridvalszki | Anna Tüdős, Márta Czene, Márk Fridvalszki | ||
- | [[wro-2|On the Silver Globe: From a Vintage Print Photography to a Complex Media Installation. Re-contextualization as a preservation strategy]] \\ | + | [[wro-2|On the Silver Globe: From a Vintage Print Photography to a Complex Media Installation. Re-contextualization as Preservation Strategy]] \\ |
Agnieszka Kubicka-Dzieduszycka, | Agnieszka Kubicka-Dzieduszycka, | ||
[[milewska|Dead Artworks as Narrators: (Re)use of Broken Artworks in the Media Art Narrative at the Exhibition // | [[milewska|Dead Artworks as Narrators: (Re)use of Broken Artworks in the Media Art Narrative at the Exhibition // | ||
Sonia Milewska | Sonia Milewska | ||
+ | |||
+ | [[meixner|Preparing a Historical Exhibition of Screensavers]] \\ | ||
+ | Marie Meixner | ||
[[klodner-en|Long-Term Digital Preservation in the Curation Life Cycle of Media Art]] \\ | [[klodner-en|Long-Term Digital Preservation in the Curation Life Cycle of Media Art]] \\ |