Trace:

Differences

This shows you the differences between two versions of the page.

Link to this comparison view

Next revision
Previous revision
Last revisionBoth sides next revision
new_media_museums_proceedings [16.08.2022 16:10] – created dusannew_media_museums_proceedings [28.11.2022 12:29] admin
Line 1: Line 1:
-==New Media Museums //Proceedings//==+== New Media Museums //Proceedings// : Collecting and Preserving Media Arts == 
 + 
 +{{TOC}} 
 + 
 +{{c3_homepage_1990s_mark_fridvalszki_web.jpg?nolink&600}} 
 + 
 +[[Foreword]] \\  
 +Barbora Kundračíková
  
 [[Introduction]] \\  [[Introduction]] \\ 
Line 6: Line 13:
 ====Reader==== ====Reader====
  
-[[bauerova-en|New Approaches to media conservation-restoration]] \\ +[[bauerova-en|New Conservation-Restoration of Media]] \\ 
 [[bauerova|Nové konzervování-restaurování médií]] \\  [[bauerova|Nové konzervování-restaurování médií]] \\ 
 Zuzana Bauerová Zuzana Bauerová
  
-[[c3-2|Versions, fragmented works, or inaccessible artworks? Conservation approaches to Media Art Installations and Net Art Works in the collection of the C³ Centre for Culture and Communication Foundation]] \\ +[[frank|Special Requirements – Four Cases from the Collections of the Olomouc Museum of Art]] \\ 
 +Jakub Frank 
 + 
 +[[sng-2|New Media Documentation in the Slovak National Gallery]] \\  
 +Mária Bohumelová, Michal Čudrnák, Lucia Gregorová Stach 
 + 
 +[[c3-2|Versions, Fragments or Inaccessible Works? Conservation Approaches to Media Art Installations and Net Art Works in the Collection of the C³ Centre for Culture and Communication Foundation]] \\ 
 Anna Tüdős, Márta Czene, Márk Fridvalszki Anna Tüdős, Márta Czene, Márk Fridvalszki
  
-[[wro-2|On the Silver Globe: From a Vintage Print Photography to a Complex Media Installation. Re-contextualization as a preservation strategy]] \\ +[[wro-2|On the Silver Globe: From a Vintage Print Photography to a Complex Media Installation. Re-contextualization as Preservation Strategy]] \\ 
 Agnieszka Kubicka-Dzieduszycka, Dagmara Domagała, Cezary Wicher  Agnieszka Kubicka-Dzieduszycka, Dagmara Domagała, Cezary Wicher 
  
-[[milewska|Dead artworks as narrators – (re)use of broken artworks in the media art narrative at the exhibition Reincarnation of Media Art in WRO Art Center in Wrocław (2019)]] \\ +[[milewska|Dead Artworks as Narrators: (Re)use of Broken Artworks in the Media Art Narrative at the Exhibition //Reincarnation of Media Art// in WRO Art Center in Wrocław (2019)]] \\ 
 Sonia Milewska Sonia Milewska
  
-[[klodner-en|Long-term digital preservation in media art curation lifecycle]] \\ +[[meixner|Preparing a Historical Exhibition of Screensavers]] \\  
 +Marie Meixner 
 + 
 +[[klodner-en|Long-Term Digital Preservation in the Curation Life Cycle of Media Art]] \\ 
 [[klodner|Dlouhodobé digitální uchovávání v kurátorském životním cyklu mediálního umění]] \\  [[klodner|Dlouhodobé digitální uchovávání v kurátorském životním cyklu mediálního umění]] \\ 
 Michal Klodner  Michal Klodner 
Line 55: Line 71:
 [[sikorova|Collecting and Presenting Video Installations from the 1990s: a Visionary Move in the 90s, Essential Today. The First Museum of Intermedia and the Collection of Intermedia Art in The Museum of Art Žilina]] \\  [[sikorova|Collecting and Presenting Video Installations from the 1990s: a Visionary Move in the 90s, Essential Today. The First Museum of Intermedia and the Collection of Intermedia Art in The Museum of Art Žilina]] \\ 
 Miroslava Sikorová  Miroslava Sikorová 
- 
-[[hlavackova|New Media Works from the 1990s in the Collection of the Prague City Gallery]] \\  
-Jitka Hlaváčková  
  
 [[skopalova|Nm 1-001 - Nm 458: The Youngest Collection at National Gallery Prague]] \\  [[skopalova|Nm 1-001 - Nm 458: The Youngest Collection at National Gallery Prague]] \\ 
Line 97: Line 110:
  
 [[Colophon]]  [[Colophon]] 
 +
 +
 +~~NOTOC~~
 +