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meixner [28.11.2022 13:47] adminmeixner [28.11.2022 15:03] admin
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 ''Exhibition view of //Refresh: The Art of the Screensaver//, Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, 2000.'' ''Exhibition view of //Refresh: The Art of the Screensaver//, Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, 2000.''
  
-Although the online part of the exhibition was supposed to last "indefinitely," it is missing from its original location. The original accompanying texts can still be read at the Internet Archive,[(James Buckhouse, Merrill Falkenberg, "Refresh. The Art of Screen Saver: Curatorial Statement," //ArtMuseum.net//, October 2000, https://web.archive.org/web/20010123224100/http://www.artmuseum.net/Refresh/about.html.)] but it is not possible to download and run screensavers. The exhibition's website was created by New York-based network artist Yael Kanarek and powered by Intel Corporation, which owns the copyright to the site's web framework and format elements.[(Email interviews with Intel Copyright Counsel + Senior Counsel | Trademarks & Brands Legal, 6-17 February 2021.)] Fortunately, Kanarek still had the original CD of the exhibition files and a physical printed poster, which she was willing to share.[(Yael Kanarek revealed that the exhibition was also part of the symposium //Attraction / Distraction: Perceptions of Media Art// held on 4 November 2000 at Stanford University's Department of Art and Art History and sponsored by Intel.)] Tomáš Javůrek, the technologist behind ScreenSaverGallery, was able to reconstruct the files. They were first shown online, in the original context of the computer screensaver as an exhibition at ScreenSaverGallery[(//ScreenSaverGallery presents: The Limits of ScreenSavers_A SCRAVER AS A UNIQUE AND SHOCKING ART FORM//, 2 December 2021 - 24 March 2022)] and in the physical exhibition space (white-cube) of Gallery XY.[(//Screensaver as a Unique and Shocking Art Form//, 13 December 2021 - 10 February 2022)]+Although the online part of the exhibition was supposed to last "indefinitely," it is missing from its original location. The original accompanying texts can still be read at the Internet Archive,[(Buckhouse, James, and Merrill Falkenberg, "Refresh. The Art of Screen Saver: Curatorial Statement," //ArtMuseum.net//, October 2000, https://web.archive.org/web/20010123224100/http://www.artmuseum.net/Refresh/about.html.)] but it is not possible to download and run screensavers. The exhibition's website was created by New York-based network artist Yael Kanarek and powered by Intel Corporation, which owns the copyright to the site's web framework and format elements.[(Email interviews with Intel Copyright Counsel + Senior Counsel | Trademarks & Brands Legal, 6-17 February 2021.)] Fortunately, Kanarek still had the original CD of the exhibition files and a physical printed poster, which she was willing to share.[(Yael Kanarek revealed that the exhibition was also part of the symposium //Attraction / Distraction: Perceptions of Media Art// held on 4 November 2000 at Stanford University's Department of Art and Art History and sponsored by Intel.)] Tomáš Javůrek, the technologist behind ScreenSaverGallery, was able to reconstruct the files. They were first shown online, in the original context of the computer screensaver as an exhibition at ScreenSaverGallery[(//ScreenSaverGallery presents: The Limits of ScreenSavers_A SCRAVER AS A UNIQUE AND SHOCKING ART FORM//, 2 December 2021 - 24 March 2022)] and in the physical exhibition space (white-cube) of Gallery XY.[(//Screensaver as a Unique and Shocking Art Form//, 13 December 2021 - 10 February 2022)]
  
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