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--- contributors [26.09.2022 21:52] – dusan
+++ contributors [28.11.2022 12:58] (current) – admin
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 **Jina Chang** is time-based media art conservator at the Nasjonalmuseet, Norway. Initially trained as a media artist (photography at Pratt Institute (BFA) and Studio Art at the University of New Mexico (MFA)), she taught New Media and Video Art at the University of Rochester and Brown University. Upon graduating from the Object Conservation program at the University of Oslo (MA), she conducted a 2-year project surveying, documenting, and devising comprehensive preservation plans for the installation artworks in Nasjonalmuseet’s collection. Since 2018, she has been hired full-time, working exclusively with the museum’s time-based media and digital art collections. She specializes in the conservation and documentation of time-based media and digital artworks and is interested in the topics of philosophy and cultural studies of conservation.
+{{anchor:czene}}
+**Michal Čudrnák** is Head of Digital Collections and Services at Slovak National Gallery (SNG). He took an active part in transitioning the gallery into the digital realm – from cataloguing of works of art, to digitisation, development of online catalogue of Slovak art galleries and several other websites. Currently, he is working also at the Slovak Design Centre/Slovak Design Museum, setting up a new collection management system and making the collections visible online. Michal graduated in library studies from the Philosophical Faculty of the Comenius University in Bratislava. He was a member of the BURUNDI media lab in Bratislava and co-founded Itchy bit and 13m3 collectives.
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-**Mark Fridvalszki** graduated from the Academy of Fine Arts in Vienna in 2011 and was a postgraduate Meisterschüler student at the Academy of Fine Arts in Leipzig (2014-2017). Fridvalszki is co-initiator and graphic editor of the art collective and publishing project Technologie und das Unheimliche or T+U (since 2014). He has participated in various exhibitions and art events, including The Július Koller Society w/ T+U, the 34th Ljubljana Biennial of Graphic Arts, Kunstverein am Rosa-Luxemburg-Platz in Berlin, Kunstraum Lakeside in Klagenfurt, Kunsthalle Exnergasse in Vienna, Karlin Studios and Meetfactory in Prague. Born in Budapest, he lives and works in Berlin. http://markfridvalszki.com
+**Márk Fridvalszki** graduated from the Academy of Fine Arts in Vienna in 2011 and was a postgraduate Meisterschüler student at the Academy of Fine Arts in Leipzig (2014-2017). Fridvalszki is co-initiator and graphic editor of the art collective and publishing project Technologie und das Unheimliche or T+U (since 2014). He has participated in various exhibitions and art events, including The Július Koller Society w/ T+U, the 34th Ljubljana Biennial of Graphic Arts, Kunstverein am Rosa-Luxemburg-Platz in Berlin, Kunstraum Lakeside in Klagenfurt, Kunsthalle Exnergasse in Vienna, Karlin Studios and Meetfactory in Prague. Born in Budapest, he lives and works in Berlin. http://markfridvalszki.com
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 **Barbora Kundračíková** is an assistant professor at the Department of Art History at Palacký University in Olomouc. Since 2019, she has also been the Head of Modern Art Collections at the Museum of Art Olomouc - Central European Forum (SEFO). She collaborates with the Photography Research Centre at the Institute of Art History of the CAS in Prague (internally 2018-2020) and works as a freelance curator (MGLC Ljubljana, Fait Gallery, Trafo Gallery, etc.). Her areas of interest include 20th and 21st century European visual art, mechanical representations (photography, printmaking), art history methodology and analytical aesthetics.
+{{anchor:meixner}}
+**Marie Meixner** is a PhD candidate at the Department of Art Education of the Palacký University, Olomouc. She is a programme and media manager of the annual PAF Festival in Olomouc. She graduated in English Philology, Film Studies and Communication Studies from the Palacký University, Olomouc. Her long-term research and curatorial activities are focussed on the communication and interpretation strategies of internet art. She also specialises in the history and theory of moving image and animation in the broad sense, especially in the relation to digital art and the audience. She is one of the curators at Screen Saver Gallery and the editor of the experimental film section of the //25fps// film magazine. She works as an internet and conceptual artist under her moniker (c) merry.
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-**Anna Schäffler** is an art historian and curator. She studied art history as well as modern and contemporary history in Berlin and Madrid. She researches contemporary art preservation at the interface between art history, conservation and curating. Based on her practical experience with Anna Oppermann's estate, in her dissertation she examined the posthumous preservation of process-based installation works and the consequences for the concept of work and authorship. Anna Schäffler also focusses on the "networks of care" of art preservation between public memory institutions and private and civil society actors. To this end, in 2019 she co-founded the Capri.Care. She was a junior fellow of the research group BildEvidenz at the Freie Universität Berlin and a coordinator of the interdisciplinary PhD and postdoc network CoCARe (Conservation of Contemporary Art Research). https://www.annaschaeffler.info/
+**Anna Schäffler** is an art historian and curator. Her research on the contemporary preservation of art and cultural assets includes theory and practice at the intersection of art history, conservation, and curating. Recent projects, lectures, publications, and teaching assignments have been particularly devoted to the possibilities of communicating and making visible practices of contemporary art preservation. In addition to artistic estates, another focus of Anna Schäffler's interests is on public welfare and commons in the context of art, activism, and urban development. She advises artists, private and public institutions on long-term preservation and initiated various projects to experimentally test new formats of preserving artistic legacies between public memory institutions and private and civil society actors. https://www.annaschaeffler.info/
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-**Anna Tudos** holds an MLitt degree in Curatorial Practice (Contemporary Art) from Glasgow School of Art and a BA in Cultural Management and Art Theory from the Hungarian University of Fine Arts. She is a motivated curator with a passion for collaborative practices. She is a member of two collectives, BÜRO imaginaire and Roundabout. Her main research interests include the relationship between humans and public space (with a special focus on playground architecture), as well as the impact of technological developments on society and their implications for health sector and climate change. She has been working with the C3 Foundation on various projects since 2018. http://www.annatudos.com/
+**Anna Tüdős** holds an MLitt degree in Curatorial Practice (Contemporary Art) from Glasgow School of Art and a BA in Cultural Management and Art Theory from the Hungarian University of Fine Arts. She is a motivated curator with a passion for collaborative practices. She is a member of two collectives, BÜRO imaginaire and Roundabout. Her main research interests include the relationship between humans and public space (with a special focus on playground architecture), as well as the impact of technological developments on society and their implications for health sector and climate change. She has been working with the C3 Foundation on various projects since 2018. http://www.annatudos.com/
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-**Aga Wielocha** is a researcher and collection care professional specialising in contemporary art. She is a postdoctoral fellow in the “Activating Fluxus” research project at the Bern University of Arts. As part of her PhD studies at the University of Amsterdam, she researched the lives and futures of contemporary art in institutional collections. From 2019 to 2022, she worked as a conservator at M+ Museum Hong Kong. Prior to her doctoral studies, Aga Wielocha served as a conservator at the Museum of Modern Art in Warsaw. Her research interest lies in mechanisms and processes of institutional collecting and preservation, with a focus on processual formats of contemporary art formats such as art projects, participatory art and performance.
+**Aga Wielocha** is a researcher and collection care professional specialising in contemporary art. She is a postdoctoral fellow in the “Activating Fluxus” research project at the Bern University of Arts. She received her PhD from the University of Amsterdam with a project carried out within the New Approaches in the Conservation of Contemporary Art (NACCA) program, and focusing on the lives and futures of contemporary art in institutional collections. From 2019 to 2022, she worked as a conservator at M+ Museum Hong Kong. Prior to her doctoral studies, Aga Wielocha served as a conservator at the Museum of Modern Art in Warsaw. Her research interest lies in mechanisms and processes of institutional collecting and preservation, with a focus on processual formats of contemporary art formats such as art projects, participatory art and performance.